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Drossinis Museum is in the center of Kifisia, a northern suburb of Athens, and it is housed in “Amaryllis” villa, where Georgios Drossinis〔About Drossinis’ life, see: Logotheti, F. (1960). ''Georgios Drossinis.'' Athens: Σ.Ω.Β. Publications.〕 lived in his last years and which is named after a central character of one of his earliest and most popular works. The museum was founded in 1997 with the aim to preserve and promote Drossinis’ (1859-1951) multidimensional work. Drossinis, along with Costis Palamas and Nikos Kampas co-founded the New Athenian School,〔See Garantoudis, E. (2007). ''‘The 1880s Generation’'', in Lexico Logotechnikon Oron (of Literary Terms ), Athens: Patakis Editions, pp. 365-367.〕 the Greek literary ‘1880s Generation’, a movement which renewed Greek literature and fought for the establishment of modern Greek language ("Demotic")〔About the language issue, see: Beaton, R. (1996). ''Eisagogi sti Neoteri Neoelliniki Logotechnia'' (Introduction to Modern Greek Literature ). Athens: Nefeli Publications, pp.369-449.〕 The museum includes three halls, which are on the first floor, while the ground floor houses the Municipal Library of Kifisia, according to Drossinis’s wish. ==The museum== Going upstairs, the first hall on the right is the ''"Intellectual"'' Hall. Here lies Drossinis’s intellectual treasure. Numerous exhibits demonstrate his significant presence in letters and his important contribution to education in Greece. Here one can find archived all issues of ''Estia'' newspaper, of which Drossinis was editor-in-chief and director and which circulated daily since 1894 and had a determining role in Greek life. In the same hall, the visitor can see a sample of Drossinis’s work as a publisher: ''Asty'', ''To Imerologion Tis Megalis Elladas'' ("Journal of Great Greece"), ''Nea Hellas'' (“New Greece”), ''Ethnike Agoge'' (“National Education”) are some of the magazines and journals published by Drossinis, which aimed towards the intellectual rebirth of Greek people. In addition, there is a great number of books exhibited here which were either edited by Drossinis or published by the "Society for the Propagation of Beneficial Books" ''(Σ.Ω.Β.)'', of which Drossinis was a co-founder (along with Demetrios Vikelas) and a lifelong secretary. The poet’s collaborations in Greek publications (''Athinai'', ''O Noumas'', ''Scrip'', ''Romios'') or foreign ones – Cypriot, French, German and American – can also be found in this hall. Manuscripts, correspondence with Greek and foreign intellectual people, a collection of newspapers with articles about Drossinis and personal belongings, all complete the poet’s intellectual personality. The hall on the left is the ''"Emotional"'' Hall. It is Drossinis’ bedroom, where the visitor has the feeling that the poet is constantly present. Photos of Mesolonghi, Drossinis’s birthplace, on the walls and others of his friends and relatives, all complete the picture of the poet amongst his close ones. Fishing and hunting equipment reveal his great love of nature – Drossinis also wrote books about fishing and hunting – while religious icons express his deep faith. Children’s reading books from all around the world – as he himself was an author of school reading books – show his care for education, to which he offered a lot from his high position in the Greek Ministry of Education. These objects, together with sculptures by Tombros and Vitsaris, surround the poet’s figure as portrayed by the sculptor Angeliki Vlachopoulou sitting in his armchair at old age. The third hall is the ''‘Folk’'' Hall. It is the largest part of the museum and the most interesting one, especially for the younger visitors. The heroes of his writings and his life are here: clay figures in real-life size – most works are by A. Vlachopoulou – represent vividly the world of his prose.〔For Drossinis’ complete list of works see: Meraklis, M. and Paradisi, E. (2007). ''Lexico Logotechnikon Oron'' (of Literary Terms ), Athens: Patakis Editions, pp. 561-562.〕 Idyllic, interested in folk tradition, rich in emotions, full of sensitive female characters: Amaryllis and Ersie – the heroines of his homonymous works – Morfoula – a tenant farmer’s daughter in his family farm in Evia – whom he first met very young and for whom he composed his favourite poem, ''To Moiroloi tis Omorfis'' (“The Beauty’s Lament”), and his cousin Drosina, who inspired his most popular poem, which was immediately set to music and is still sung today, ''Anthismeni Amygdalia'' (“Blooming Almond Tree”). Athanasios Diakos (the Greek Independence fighter) represents Drossinis’s patriotic ideals, a grandfather sitting in the center of the hall, surrounded by his grandchildren listening to him reading fairy tales, shows his love for children – he himself also wrote fairy tales with educational content – while the small sofa on which he used to sit with Kate Manou, his last muse, signifies his passion for life until his latest years. File:Drossinis museum 09.JPG|The Museum entrance: The name of the villa (“Amaryllis”) and the poet’s monogram. File:Drossinis museum 08.JPG|Secretary desk from the collection of G. Drossinis’s personal belongings (‘Folk’ Hall). File:Drossinis museum 07.JPG|A collection of original publications in collaboration with G. Drossinis (‘Intellectual’ Hall). File:Drossinis museum 06.JPG|A figure of the poet at old age. File:Drossinis museum 05.JPG|A portrait of the poet at old age. File:Drossinis museum 04.JPG|A figure of ''Drossina Drossini'', who was the inspiration for the poem Anthismeni Amygdalia (“Blooming Almond Tree”) File:Drossinis museum 03.JPG|Figure of a grandfather reading fairy tales to his grandchildren. Drossinis loved children and wrote fairy tales, always with educational content (‘Folk’ Hall). File:Drossinis museum 02.JPG|The small sofa on which he used to sit with Kate Manou, his last muse (‘Folk’ Hall). File:Drossinis museum 01.JPG|''Eumorfoula'', Drossinis’s first platonic love. (‘Folk’ Hall). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Drossinis Museum」の詳細全文を読む スポンサード リンク
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